More about Duo Dorado and their amazing baroque repertoire, with Hazel Brooks on violin and David Pollock on harpsichord.
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| Hazel and David |
Hazel Brooks
studied at Clare College, Cambridge. After graduation she went on to study
the violin at the Hochschule für Musik und Theater in Leipzig, and the Guildhall
School of Music in London, where she specialised in early music, owing much to
the inspiring teaching of Micaela Comberti. Here she won the Christopher
Kite Memorial Prize and the Bankers Trust Pyramid Award, and she was a finalist
in the international competitions in York and Antwerp.
As a baroque
violinist, Hazel now works regularly as a recitalist and in chamber
ensembles. She has given solo recitals in many major venues throughout
the UK as well as in Germany, Russia and Spain. She is frequently asked
to lead orchestras and enjoys appearing as a concerto soloist.
Hazel also has an
interest in unusual instruments and her recitals often include the viola
d’amore. She is in demand as a medieval-fiddle specialist throughout
Europe and America, and has released recordings with the Boston Camerata, USA
(Warner Classics), duo Trobairitz (Hyperion) and Duo Dorado (CRD and Singing
Space). She has also been involved in an inspiring project
combining Western and Moroccan musicians.
Hazel has recently been appointed as a research fellow at the University
of Southampton, investigating manuscripts of violin music from
seventeenth-century England.
David Pollock
studied at the Royal College and Royal Academy of Music. He was inspired to take up historical
performance because of a longstanding love for the music of J. S. Bach, and
soon came to specialise in the harpsichord, winning the Croft Early Music First
Prize.
Since then he has
appeared at such venues as the Purcell Room, St John's Smith Square, St George's
Bristol, St. David's Hall Cardiff, and Fairfield Halls Croydon, and has
performed in international music festivals in Great Britain and abroad to
critical acclaim. He has established a
reputation as an interpreter of the keyboard works of J. S. Bach and is in
demand as a recitalist and concerto soloist.
Notable projects have included the harpsichord concertos of J. S. Bach
and the virginals music of William Byrd.
Solo recordings include The French Harpsichord and O Mistris Myne:150
years of English virginals music (LIR), and he has also released a CD with the
Parnassian Ensemble (Avie).
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| Duo Dorado |
David is also
interested in contemporary music and champions the harpsichord in this
field. Many composers have written
specifically for him, including Colin Hand, Robert Page and Gavin Stevens. As the collection grows, David hopes to
compile a modern-day ‘Virginals Book’ which would tie together his interests in
early and modern music.
Duo Dorado was
formed in 1999 when Hazel and David discovered a shared passion for the baroque
repertoire for obbligato harpsichord and violin. The immediate success of the duo encouraged
them to go on to explore the rich repertoire for violin and basso
continuo, developing interpretations which highlight how successful this music
can be with no more on the bass line than a richly resonant harpsichord.
The Duo has
appeared extensively across the UK and also abroad, and has been praised for
its dynamic presentation of a wide spectrum of music from established classics
to that which is almost completely unknown. Their recordings include music by
William Croft (CRD) and by Daniel Purcell, recently released on the Chandos
label. In addition to their ordinary
concerts, Hazel and David are keen to promote baroque music beyond the formal
setting of traditional concert halls.
They enjoy performing in less usual settings including museums, schools,
village halls, libraries and even a Roman villa! They also give informal recitals in private
houses, which have proved very popular.
The
Duo have recently released a new CD on the Chandos label of music by
Daniel Purcell – thought for a long time to be Henry Purcell’s brother,
but now considered to be his cousin. Hazel has been researching early
English violin sonatas and this is one of a series of projects which has
come out of her research. There is a page devoted to this on the website.
The Instruments:
David and Hazel say: We perform on period instruments – originals or copies of instruments of
the type which would have been known to the composers themselves. These
instruments are often considerably different from their modern
counterparts. In addition both of us have spent time studying early
playing techniques and baroque style.
Harpsichords:
Ruckers-Hemsch - This
is a double-manual French-style instrument made by Anne and Ian Tucker
in 1999. It is a replica of the Ruckers-Hemsch harpsichord (1763) in
the Cobbe Collection at Hatchlands Park, identical down to the
individual brush-strokes of the painting. It is strung in iron and
brass, with free-range turkey quills.
Grimaldi - This
is a single-manual Italian-style instrument made by Claire Hammett and
Mark Ransom in 1993. It is a Venetian model after Grimaldi c. 1700. It
has two eight-foot registers and is strung in brass, with turkey
quills.
Virginal
Bowed Instruments:
Principal
ways in which the baroque violin is different from its modern
counterpart are the arched and pointed baroque-style bow, the gut
strings and lack of chinrest, as well as a less angled neck. The lower
baroque bridge, lower tension, and lighter barring and soundpost inside
the instrument are also worth noting. This all goes to create a much
sweeter sound than a modern violin, which blends very well with the
harpsichord.
Baroque Violin - An original eighteenth century instrument in baroque set-up by the Viennese maker, Joannes Georgius Thir.
Renaissance violin - Copy of a sixteenth century instrument by Andrea Amati, by Nanny Hergils 2005. Strung all in gut with equal tension.
Viola D'Amore - Made by nanny Hergils 2004, after an eighteenth century Neapolitan instrument.
For more information please visit their website: www.duodorado.co.uk
10th, 11th & 12th May 2013
www.dartmusicfestival.co.uk
